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Which Is Better, Lightroom or Photoshop? by Mark Fitzgerald

Posted by Hub on July 1, 2009 at 5:20 PM



The first time I saw Adobe's Lightroom, while it was in its earliest beta version, I wondered what the point of it was. I could already do everything it did in Photoshop. Why did I need to learn a new way of doing what I already knew how to do? However, as I began using the software on a daily basis, I soon realized that Lightroom?s approach to workflow is quite different than the Photoshop approach.


Photoshop is an amazing assortment of image editing tools. There are tools for web designers, graphic artists, engineers, doctors, 3-D modelers, and even photographers. Photoshop is like going to the hardware store and ordering one of every tool. Then tossing all those tools into a giant toolbox. Whenever you need any particular tool, it will be somewhere in the toolbox. It may take a while to find it - and then you may need to spend some time learning to use it - but it will be there.


Lightroom was designed specifically for photographers. It's more like going to the digital hardware store and ordering only the tools a photographer uses the most often. Then laying out the tools on a workbench in the order in which they are intended to be used. This intuitive user interface, combined with a narrow purpose, makes Lightroom an ideal working environment for photographers.


At this point you may have come to the conclusion that I think Lightroom is better than Photoshop. However, I believe that a well-balanced digital post-production workflow requires both Lightroom and Photoshop. That's because each of these products is intended for different parts of the workflow.


The Two-part Post-Production Workflow


When photographers were shooting film, they rarely gave much thought to the processing workflow concept. That's because it was a fairly intuitive two-part workflow. The first part was designed to get all images processed quickly, at a low cost per image. If proof prints were involved, they were usually low in quality to keep the price down and speed-up the printing process. They were only needed for review purposes, such as eliminating bad shots and identifying the best images.


After the best shots had been selected, they entered the second part of the workflow. The chosen negatives or slides were used for enlargement printing at the darkroom or photo lab. Usually these prints were custom printed by skilled darkroom technicians. Often, more money was spent on a single print than for the film and processing of all images in the shoot.


We still have this divided workflow when processing digitally. In fact, it's more pronounced due to the large number of images digital cameras are capable of capturing, and the range of editing possibilities. In the first part of the workflow, when culling the cuts and locating the winners, it's necessary to work as efficiently as possible, using a wide range of editing and output options. Think of it as an assembly line. Because of this production-focused nature, I call this first portion of the workflow the Production Workflow. Lightroom was designed to handle the Production Workflow. Using it instead of Photoshop for this portion of the workflow makes the most sense.


In the second part of the workflow, every effort is made to find the highest level of quality and creativity.  I call this second post-processing step the Creative Workflow.  Here, the things that can be done to special images go way beyond the possibilities of the film darkroom, especially when carried out by someone who has mastered the digital tools and techniques. Many of these tools and techniques, such as masking, complicated retouching and advanced printing, are not available in Lightroom.  Enter Photoshop. Photoshop becomes the tool of choice for the Creative Workflow.


Lightroom vs. Photoshop


So back to the original question, "Which is better, Lightroom or Photoshop?"  When you're working with lots of images, trying to organize, edit quickly, and present them, nothing beats Lightroom. Most photographers I know who have embraced Lightroom find they can accomplish ninety percent of their workflow using Lightroom. However, when they have special images, or images with special needs, nothing beats Photoshop.


What does this mean for you? If you're just starting out with digital photography, you should begin with Lightroom. It will most likely do everything you need for now. However, if you're serious about your photography, at some point you're going to want to delve into the mysteries of Photoshop. Only then will you be able to take complete control over every aspect of your photos and become master of the two-part, post-processing workflow.


Visit Mark's website.

 

 


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4 Comments

Reply David Saffir
05:19 PM on July 12, 2009
Mark - I agree with you on the issues of using LIghtroom as a beginner, or even intermediate, and then "graduating" to Photoshop. It's interesting that many of the features in Lightroom that streamline image editing have kind of migrated back to Camera RAW.

I know many photographers who use both, and who go back and forth between applications exploiting the features of each. I personally prefer Photoshop for its ability to make very detailed selective adjustments (non-destructive, of course).

It would be interesting to hear what your thoughts are on using Pro Photo RGB vs Adobe 98, as I'm told by the Adobe folks that Pro Photo is the default color space for Lightroom.

Thanks for a great article,


David Saffir
http://davidsaffir.wordpress.com
Reply Mark Fitzgerald
02:39 PM on July 16, 2009
Hi David -

You are correct that ProPhoto RGB is the color space that's used in Lightroom, as well as Adobe Camera Raw. That's primarily because raw files don't have a color space attached to them until they are processed. ProPhoto is used for processing these files because it is so large that it encompasses just about all of the colors that a raw file can contain. When raw files are processed, a final color space is chosen for the converted files. Generally, this is sRGB, Adobe RGB (1998), or ProPhoto.

Using ProPhoto as a working space in Photoshop is a bit different. Many of the colors in this huge color space are way outside of the gamut of most output devices, including monitors. The last time I spoke with a color expert from Adobe he said that he recommended that users not use ProPhoto as a working space because it can cause unpredictable color shifts when printing.

I usually recommend that photographers try to match their working color space to the gamut of the output devices they use. When that is an unknown, it's best to use a larger color space and then convert to a specific space when it's time for output. That means that if you use ProPhoto as your working space, be sure to convert the file to the appropriate space for output. I personally use Adobe RGB (1998) for my working space. If and when ooutput devices support ProPhoto, then I'll use it. If necessary, I'll go back and reprocess any older raw files into that color space if necessary.

I hope this helps.

Mark
www.ddroom.com
Reply GreatWestPhoto.com
11:23 PM on July 16, 2009
Mark, you are right about getting started although I might recommend that someone starting out set up with not only Lightroom but also PS Elements. It is a good primer for moving on to big brother Photoshop at a later time.
Reply Mark Fitzgerald
01:26 AM on July 17, 2009
Hi -

I agree that Elements can be a good place to start for someone new to digital. It really depends on whether they're shooting raw. If they are, LR might be a better path, though Elements can be a great companion to it.

I've just started writing a new book about Photoshop Elements so I've been spending lots of quality time with it. It's really great software that will do most things a photographer needs to do. It also teaches them the Photoshop way of doing things.

Thanks for your comment.
Mark
www.ddroom.com

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